2024

mjb and mj...ch6. 2024...box that is always with you


Clarification Note: All images in the post were crafted in cooperation with Midjourney AI, which followed my prompts.


Quick Summary for Those Who Prefer a Short Read:

2024. Things are going wrong, and we’re unsure how to fix them. ‘Thinking outside the box’ sounds good, but it usually just creates another box. Using intuition and non-logical thinking might help, but it’s hard to convey the results to others because words often fall short. We’re at a confusing crossroads, and here’s my visual take on this less-than-optimistic observation


'Suppose you succeed in breaking the wall with your head.

And what, then, will you do in the next cell?'

 Stanislaw Jerzy Lec

2024. Everything is going in the wrong direction and nobody knows what to do with it.

We need leaders who can think outside the box, just like the heroes in all those great books and movies. ‘Thinking outside the box’ sounds like a great idea. It should save the world, right?

But the more I thought about it, the more I realized that stepping outside one box just puts us into another box. Here's why:

If we define ‘thinking’ as the mental process that involves language and logic, then those things create a sort of ‘box’ for our thoughts. So, ‘thinking outside the box’ means going beyond the usual ideas we know, but it’s still just thinking within another set of ideas, or another box.

What about ‘thinking outside A box’? That means thinking beyond any set of established ideas, not just swapping one set for another. But here's the tricky part: as soon as we start thinking, we create structures or ‘boxes’ to organize our thoughts. So, the idea of thinking completely outside any box is kind of impossible because even trying to do that makes a new box. It leads nowhere.

Well, there is a way out of the ‘thinking box’ trap that’s not very popular in our science-focused world: tapping into intuition and other non-logical ways of knowing. While we usually think of logical thinking as the best kind, this overlooks other ways of understanding the world. Intuition, for example, lets us process information quickly and often subconsciously, leading to insights that logic might miss. Non-verbal thinking, like visual or spatial reasoning, also plays a big part in solving problems and being creative.

But here's the catch: communicating these intuitive and non-verbal insights is tough. They don’t follow the clear, structured paths of logical reasoning. When we try to explain these insights, we have to put them into words, which can be limiting and might not capture the full essence of our understanding.

So, we have a paradox: while intuition and non-verbal thinking are essential for a deeper understanding of the world, sharing these insights effectively requires words. And words can only roughly translate the original insight, losing some of the nuance along the way. This means that while we can personally appreciate these ways of knowing, sharing them with others is often a complex and imperfect task.

Although blending all these ways of thinking might happen in the future if our civilization survives (kind of like what Hermann Hesse imagined in his book [Ch.4]), it’s not something we can use right now. Today, we’re at a crossroads without a clear view of the path ahead.

These thoughts have been bugging me for a while. After almost a year of navigating through various attempts with mixed results, here’s my visual take on this less-than-optimistic observation.

The Box That Is Always With You


Glimpses into AI Image Creation:

The crafting of this image took me the longest time so far — almost a year of on-and-off attempts. It's a good example of how the real process of AI image creation works. Despite the general misconception that one just needs to write a verbal prompt, click a button, and voilà, a great result appears — there is much more to it.

It is true that one can submit to AI a prompt with a few words, many words, or even a blank prompt, and receive a visual response within minutes. The response could be a great image or garbage, but almost never what the prompter had in mind. To get a more predictable result, a prompter has to do a lot of tweaking and adjusting of the prompt's text and parameters, sometimes through hundreds of tries and errors without guaranteed success. Depending on the prompter's persistence and patience, the process can take from hours to weeks or even months. Eventually, the prompter just stops because of exhaution and accepts the result no matter what result was achieved.

One unforeseen aspect of this endeavor is how long the process takes and how the model evolves along the way. The AI-assisted image generation is a quickly developing field. For example, I use the Midjourney AI model, and during the year it took to create this image, I started with version 4 and successively switched to versions 5, 5.0, 5.1, 5.2, and 6. Each version had significantly improved abilities, which forced me to change directions and ideas in my attempts. Of course, this would not have happened if I had completed the image in days or weeks.

Another important aspect of the current AI image generation state is that despite explosive growth, this field is still in its infancy (Midjourney is about 2 years old). It can generate great images, but the more complex the image, the less perfect and predictable is the result. Therefore, to create a complex image like the one listed above, one has to break the final idea into parts, create them separately, and gradually blend them together. This is an extremely tedious process requiring numerous tries and errors by itself.

To illustrate the process, here is the image that contains a minuscule portion from hundreds of attempts I made over the year:

Out-of-box-ers

The first two rows show examples of images generated by AI prior to some selection and tweaking. Finally, I got an image I considered the seed for the final result (the second from the left in the bottom row) and started to work around it. I created additional parts of the final image separately (numerous tries and errors by themselves), blended them together, and eventually did all tonal and color corrections and resizing in Photoshop.

So, the question, 'Who is the creator of an AI-generated image — the prompter, the AI, the artists whose works were loaded into the AI database, or all of them?' does not have a simple answer. You be the judge. I am only positive that the image is unique, and nobody, including myself, can reproduce it even by thoroughly repeating each step of its creation. Welcome to the brave new world!

nostalgia in blue...reviving film memories


Once upon a time, back in the days of film photography, I captured a series of still life images with bottles. I recently looked through my old photos to find a nice still life image for a spot on my living room wall and was pleasantly surprised by how good these images were. They reminded me of why I fell in love with photograghy in the first place and made me realize how much I miss film photography.

'Blue Bottles' image on display in the living room

behind the canvas...inside artist studio

I have a confession to make: I don't have a lot of favorite artists.

My criterion for favorite artists is this: if I can read their books, view their paintings, or watch their movies numerous times without getting bored by the repetition and always finding new facets to enjoy, then they're in the club. They might not be the big names you'd expect, but there's something about them that clicks with me; I just have a feeling that they simply belong to the same Karass as I do.

My roster of beloved artists remains modest; over the years, the list has diminished from hundreds to just a few. These select few share notable characteristics: a formidable educational background that allows them to build on what came before, an attitude to life that's a mix of being serious when it counts but not taking themselves too seriously the rest of the time—a blend of Decalogical ethics, irony, humor, and alienated engagement, as encapsulated in the enigmatic words of Heine: 'I cannot understand where Irony ends and Heaven begins'.

When it comes to belles-lettres, the current list of favorites contains just two pieces of literature: Pelevin's 'Chapayev and Pustota' and Brecht's 'Refugee Conversations'.

Only one animation makes the list - the animated series 'Masyanya' by Oleg Kuvaev.

In the realm of visual arts, one figure that stands out to me is the painter Ilya Zomb. He began his artistic career in our shared hometown, Odessa, before emigrating and settling in the US. As the beloved son of Odessa, Michael Zvaneckiy once said, 'There is something in this nervous soil that gives birth to musicians, chess players, artists, singers... who shine so brightly on both sides of secondary education!' And if I may add, 'on both sides of the Atlantic as well.' The emigration proved beneficial for Ilya; one can observe a shift in his paintings' palette from the gloomy, muddy colors of his pieces created in the USSR to the bright, vibrant colors of those made in the US. In my humble opinion, he reached the peak of his form and settled on his style around 2007, where he remains today.

Ilya has been on my radar for about a decade now. I can't recall exactly how I discovered his work online, but once I did, I was hooked. I added the link to my top favorites and scoured the internet for any of his work I could find

And then not too long ago, I found out that he hosted an Open Doors tour at his studio in Riker Hill Art Park, NJ. So, I made my way over there, and it was awesome. The studio was located in a quiet, cozy location, and the atmosphere at the event was very friendly and informal. I spent a good chunk of time talking about our lives and his art in the company of the artist, his lovely wife, and their cute dog.

Here are some photos from when I was there.

Art studio

Prop shelf

Tools of trade

Relaxation corner

Muse-in-chief

Muse-in-chief sidekick

Ilya

Saying goodbye in style

And finally, some great news - the next Open Doors event will be hosted this weekend.

kind of snowy days...

For a couple of days, our surroundings were covered with snow. One day was very sunny, another was foggy. On the foggy day, as I made my way to Lake Luxembourg, I stumbled upon an amazing sight - a double spiral of wheel tracks in the snow, bare tree trunks, and a field dissolving in the fog. I was in a hurry to get to the lake and didn't bother to stop. I wandered around the lake, but the spiral wouldn't let me go. I stopped near it on the way back and captured this scene. It turned out to be the best shot in the series, although the others didn't disappoint either.

Whirling in the Winter Wonderland

Generally, when I select candidate images for printing, I 'season' them for weeks or even months, observing whether my feelings about the images have changed. This time, I was so confident in its quality that I printed, framed, and displayed 'Whirling in the Winter Wonderland' without delay.

Whirling in the Winter Wonderland

Here is a small selection of images from the series.

Sunny day at the lake

Foggy day at the lake

Time to fly

Time to chill

Leave me alone

On the hunt for a lunch companion